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richtong:

illpillchill:

“I walked right up to it and stood on top of this circular platform. And as soon as I gained my footing, the circular platform started a slow, steady rotation. And it was almost like the mechanical robots were stretching and moving their parts after an extended period of slumber. And as they sort of gained consciousness, they recognized that there was another presence amongst them, and that was myself.  And at some point, the curiosity switched, and it became slightly more aggressive and frenetic and engaged on their part. And an agenda became solidified somehow. And my relationship with them shifted at that moment because I started to lose control over my own experience, and they were taking over. So they began to spray and paint and create this futuristic design on this very simple dress.  And when they were finished, they sort of receded and I walked, almost staggered, up to the audience and splayed myself in front of them with complete abandon and surrender.  It almost became this like aggressive sexual experience in some way. And I think that this moment really encapsulates, in a way, how Alexander related to—at least at this particular moment—related to creation. Is that all of creation? Is that the act of a human being being created, the sexual act? Is it the act of, you know, the Big Bang, if you will, that violence and that chaos and that surrender that takes place?  Alexander and I didn’t have any conversation directly related to this particular piece and to creating this moment within his show. I like to think that he wanted to interfere as little as possible and allow me to have the most genuine, spontaneous experience as possible.”
- Shalom Harlow

dress no 13.

Interesting listening to the models view of one of my favourite fashion moments.

richtong:

illpillchill:

“I walked right up to it and stood on top of this circular platform. And as soon as I gained my footing, the circular platform started a slow, steady rotation. And it was almost like the mechanical robots were stretching and moving their parts after an extended period of slumber. And as they sort of gained consciousness, they recognized that there was another presence amongst them, and that was myself. And at some point, the curiosity switched, and it became slightly more aggressive and frenetic and engaged on their part. And an agenda became solidified somehow. And my relationship with them shifted at that moment because I started to lose control over my own experience, and they were taking over. So they began to spray and paint and create this futuristic design on this very simple dress. And when they were finished, they sort of receded and I walked, almost staggered, up to the audience and splayed myself in front of them with complete abandon and surrender. It almost became this like aggressive sexual experience in some way. And I think that this moment really encapsulates, in a way, how Alexander related to—at least at this particular moment—related to creation. Is that all of creation? Is that the act of a human being being created, the sexual act? Is it the act of, you know, the Big Bang, if you will, that violence and that chaos and that surrender that takes place? Alexander and I didn’t have any conversation directly related to this particular piece and to creating this moment within his show. I like to think that he wanted to interfere as little as possible and allow me to have the most genuine, spontaneous experience as possible.”

- Shalom Harlow

dress no 13.

Interesting listening to the models view of one of my favourite fashion moments.


184 notes | Reblog | 9 months ago
Posted on August 22nd at 7:00 AM
Tagged as: Alexander McQueen. fashion. art. quote.
Reblogged from: alexandermcqueen-
Originally posted by: illpillchill
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    The first piece of McQueen’s I ever saw. The angry yellow and black, the robotic arms, this visual never left me….
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    Interesting listening to the models view of one of my favourite fashion moments.
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